I am painting the carport, something I’ve been longing to do since we moved into this house five years ago. The first time we saw this place, I thought, “Ah. That carport could be an outdoor dining room.”
And I thought, “We can invite the Pasta Club here for Pasta on the Patio.”
I could see it: a little paint. Some curtains stitched up from canvas drop-cloths… Perhaps a rescued ceiling fan top and center. And maybe a derelict chandelier painted—oh, say, a funky chartreuse,—and wrapped with fairy lights and centered over a long and welcoming table. Candles and tablecloths and drinks chilling in a galvanized metal tub.
The vision percolated, a low simmer, and of course, there were other, more urgent things to do. But then we finally knew that this was the summer we needed to paint the house, and, after wrestling the idea around from all directions, we realized we’d be crazy to try the job ourselves. So, in mid-to-late-July, a nice band of painters will come and transform our little green house into a fresh and pretty, gray and white, little cottage.
Meanwhile, it’s up to us to paint the interior of the carport, and the all-over of the little garage.
The time has finally come to paint; excuses no longer register. And after all, I know how to do this.
Seems like I grew up painting walls.
When I was ten, we left the house I’d always known; we’d moved there when I was six months old. The front lawn of that house rolled a long way down to a sidewalk, and then on to a busy highway. We rolled down the lawn to make ourselves dizzy, landing by the tree that offered, in the early summer, long cigar-shaped seed pods. We called it the banana tree, and its two main branches forked in just a way to make a kid-sized dreaming seat.
Out back there was a big backyard, bordered by an old garage, with a tin “Drink -Cola” sign on one inside wall of the loft. Beyond that was the Little Woods, then a meadowy space before the Big woods started.
My brothers brought home salamanders, baby birds, and bunnies. We wore base paths into the backyard that separated house from garage.
It was a wrenching place to have to leave, but some mysterious twist of family finances dictated the uprooting, and finding and nesting in a new home was exciting, too.
The first place we rented was a converted cottage near the lake. My mother, hands on hips, surveyed the place and turned, before my eyes, into a workplace foreman. And so, I learned to paint.
We painted walls and we painted woodwork, all of which had to be cleaned and prepped first. Not for us the wimpish reliance on things like masking tape to guide our joint lines; no, we used slender, pointed brushes where the woodwork met the wall, and if we goofed, we cleaned it up and started again.
I learned the difference between matte, satin, and semi-gloss finishes. I learned that latex paint was so much easier to clean up. We painted ceilings white; woodwork, if already painted, got a coat of glossy white, too. But the walls could be any color that struck my mother’s fancy–she might go neutral, say, a nice soft tan, but she was just as likely to choose a deep rose or a vibrant blue-green. We found places in nice neighborhoods that were sad and neglected; we changed them into comfortable homes.
(My parents never owned another house. They stayed in their last rental house for almost thirty years, accommodated by a landlord who could not believe his good fortune. When the stairs and the yards became too much, they moved, finally, into an apartment complex. It was their first home where they couldn’t pick the paint color, so they used art and photographs, books and flowers to brighten up the beige decor.)
My mother, whose forebears were finicky cabinet makers, was meticulous. We had darned well better be meticulous, too. That’s the way I grew up painting.
Mark and I agree on many, if not most, things, but we diverge on painting. “We’ve got plenty of paint!” he’ll note. “Don’t skimp! Slap it on! Maybe we won’t need a second coat.”
“Okay, Bubba,” I’ll say, agreeably, and as soon as he’s done, I’ll go back to the slow, measured, meticulous method embedded in my genes. This project, though, the carport: well, he’s right. It’s outdoors, after all. We don’t have to be perfect: we just have to make things fresh and bright and new and appealing.
I’m not sure that knowledge speeds me up at all. Nor does it make a difference to the amount of paint I wind up wearing. Mark mutters things about paint magnets under his breath, and I meander inside to scrub white latex off hands and arms (arms that had been covered by my old long-sleeved Hawaiian shirt!) and ankles and knees. I’ve discovered the best way to get sproingy hair paint-free is to wet it and apply shampoo and let it soak in for the entirety of a shower. Usually then it washes out.
If not, well. Rinse and repeat.
It is so worth it, though: painting is a soul-satisfying pursuit, despite the mess and aches and pains. In the course of an afternoon, a dingy, neglected space can become airy and welcoming. Unseen potential emerges when coated with pretty color.
And after painting, then the real fun begins–the addition of lights and floor cloths, wall art and graphics. It’s why we love HGTV, isn’t it—the potential for transformation, the beauty laying hidden, waiting to be called forth?
I am convinced the inside walls of the car port look a lot like Joanna Gaines’ beloved ship lap, and I am thinking framed paint by number pictures would look like funky fun displayed there.
Oh, there’s no confusion: Mark and I are not, never will be, stand-ins for Chip and Joanna. We are reluctant, often, to embark on the mess and disruption of painting. We squabble. We cut corners. Sometimes we have a clear bright vision, but the end result is something else entirely.
But we love the act of transformation, and we love living with the end result.
So I clean the house and I change the beds and I think about making taco salad to go with the casing hot dogs we brought back from western New York, and it is all preparation for the time this long weekend will allow me: time to head out to the car port, to brush and roller, to emerge paint-daubed and muscle-achey, and very, very happy.
Such a satisfying thing, to transform one’s world with paint.